Sound

Review:The Courtney John Project’s> Black Cinderella


 BLACK CINDERELLA COVER ART FINAL2

This phenomenal new track has just been re produced  on the Fiwi music label. This version carries with it a new fusion twist to the sounds of Errol Dunkley’s  1972 original version.

With the release of this single brings  the Courtney John Projects début album ‘Future’ one step closer to international release.

This version is just one of three hit singles, showcasing their ability to reach a broader audience.

The creative fusion of Courtney Johns lovers vocals with The Wizard and Lenky’s expert blending of contemporary dub-electronica, is tweaked so that it’s haunting mix enhances the original.

The listener has much to identify in the sounds of this new Roots-tronic fusion genre .

As the tune drops, quaking vibes enhance the narrative in Courtney John’s vocal style as the lyrics suggest loss beginning and throughout. the lyrics are heartfelt and reflective of Errol Dunkley’s version yet through their expertise the trio seem to make the tune seem like their own.

http://jamaica-gleaner.com/gleaner/20090628/ent/ent9.html

Mel Cooke a Jamaica Gleaner  writer published an article on Sunday the 28th of June  2009 about the origins of the song Black Cinderella.  Interviewing Dunkley he said:  ‘it developed from a poem his producer Jimmy Rodway had written for him,when they recorded it at Dynamic studios’. The love song was to appear on Rodway’s Fimi Time label. The song was initially a tribute to hardworking black women but after a few adjustments to the lyrics, Dunkley made it into a love song.

Courtney Johns lovers style of vocals is truly reminiscent of the initial feelings captured on the original.

It has the potential to draw in both young and old fans alike, with its rich tapestry of melodic sounds.

TCJP Promo Pic (2)

The Courtney John Project’s long term super-producer, Nastassja Hammond better known as ‘The Wizard’ fuses sample sounds of aircraft and movement in time across a spectrum of dub beats, creating an astonishing fusion with Steven ‘Lenky’ Marsdens beautiful dub-style piano solo. The intermittent beat plates and subtle dub-horns take the listener on a personal journey from beginning to end.

The auditory feast on this track makes it a truly unique revive tune, one to gain momentum in the future  success of the album.

Feature Interview: The Courtney John Project


Courtney John                               ‘The Project is going to blow up big time’

Mr. Courtney John is set to release his most recent international album called, ‘The Future’ at the end of January 2013 on the FiWi Music Label.  According to the Official Courtney John Project Facebook Page it is described as an audio journey; one part Kingston mash up, one part euro-electronica & 100% provocative in its approach to contemporary music. It is a collaboration alongside 2004 ASCAP songwriter of the year and Grammy award winning Singer Songwriter and Musician, Steven ‘Lenky’ Marsden and long term female super producer ‘The Wizard’ who is  accredited with producing work for the likes of  Nelly Furtado, Michael Franti and   Courtney’s Uncle, Mr. Beres Hammond.Courtney John

https://www.facebook.com/TheCourtneyJohnProject?ref=ts&fref=ts

https://twitter.com/TheCJProject

Courtney John, The Wizard and Steven “Lenky” Marsden.

Courtney John, The Wizard and Steven “Lenky” Marsden.

By way of a telephone conversation he begins giving some background on the current project. Courtney says:  ‘We have created a new genre of music called Roots-Tronic, it’s a platform to experiment with our music.’ Referring to the evolution of Jamaican music, he doesn’t think music should limit its traditional sound capabilities, he feels strongly about the importance of roots reggae music and its fusion within other genres.   This is a very unorthodox project and  as the Courtney John Project we have had to let go of inhibitions with our music, you have to understand the economics.’

He gives the impression that to him music is music and should be regarded as such, not limited by the categorizations of the respective  genre. He as a solo artist was often regarded as a purely Jamaican lovers rock style singer. Although he carry’s his lovers style vocals with him, this realization just allows himself and his colleagues  a platform to showcase the potential for a new and ever evolving genre which refers to the great traditions of roots reggae. He says look at the great work of Bob Marley and others who have placed our genre on the international stage. Musically, Reggae can stand up to anything out there without compromise. The Courtney John Project is looking to continue to develop the work internationally with other producers so that it can follow in the footsteps of its predecessors.

The sounds on the new Roots tronic genre could be compared to UK artists such as Tricky, Massive attack and Portishead. Courtney says that he relates it to the Dub era and although ‘ there are elements of Dubstep, not fully identifiable, he is humbled every time to be associated with these comparisons.  We are not making a conscious effort to cash in on the dub-step sound, but respect its association. Musically it is solid and at some point we have realized that we have stepped outside our comfort zone, it’s just a natural progression for me. Many of us Jamaican artists are classically trained in our traditional styles. We realize the importance of our image  so that it does not deflect from our ability to reference our back catalog, I will always continue to make core reggae albums, but for now this is what we’re focusing on.’  How the Courtney John Project will evolve is yet to be seen, but what is undoubtedly true about its uniqueness is their ability to be creative, we await to see what the future holds for the Courtney John Project in 2013.

Do it yourself D.J.


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